Art Installations at Evanston Art Center
The Evanston Art Center will play host to a number of art installations this June in celebration of Evanston Made's Five Year Anniversary. We are grateful to the artists for bringing their creative energies to the art center.
GROWING GOOD :: CENTERING HOPE by TZCK
For this third year of Evanston Made at the Evanston Art Center, The Zip Code Kid has created a centralized zip code based design to symbolize and synergize Evanston's growth toward unity, bringing the three residential zip codes together.
Good work has been done, devoted work is needed.
Mandala in form, this piece creates a space on the floor viewers will be invited to be participants by focusing on what they can do to catalyze Evanston's unity, in sight of the diverse beauty brought together by the Evanston Made artists, makers, thinkers.
A complementary wall has been curated of others' work, to contribute to a space of colorful peace and wonder.
Small booklets of Breath Prayers are provided for those who want to step into the focus space and speak these words of hope and empowerment to room, to their Self, or to the Mystery.
Can you focus on silence in the busyness of the crowd? Can you summon solidarity, in an environment of fracture? Can you help us hold on to hope?
Make your Self at Home.
“Take What You Need / Make of It What You Will” by Elory Rozner
This installation will be on display at the Evanston Made Group Show Opening Party, June 1, 6-9p, at the Evanston Art Center.
More of a performance piece, artist Elory Rozner invites the public to "dismantle" the work, key by key, throughout the night.
Artist Statement: Donated by a dozen Evanston residents, these keys are yours for the taking and the making. Imbibe, Imbue, Imagine. Visitors will interact with this piece and should feel free taking a key of their choosing.
Note: photo on the left is a mock-up of installation.
"She's Got Her tubes tied", by Ellie Hazlett, Window Installation
The macramé tapestry of medical tubing considers socio-political issues surrounding women and the increasingly complicated healthcare system. Drawing from the women’s craft movement, the weaving in combination with the materiality of the installation imitates the difficulty of maneuvering and navigating the systemic roadblocks women face with medical needs.
Sell Me Direct, by Erin Hayden and Jeff Robinson
Sell Me Direct presents a two-person outdoor installation at the Evanston Art Center by Erin Hayden and Jeff Robinson. The work engages the east side of the Evanston Art Center facing the entrance, and will be installed on the building facade and gravel area that separates the building from the parking lot. Based on systems of spending and navigating, Erin Hayden and Jeff Robinson propose to each install a set of 3 pairs of interrelated works. Hayden’s installation consists of 3 large banners that fill the height of the EAC wall. Each banner consists of digitally collaged images which playfully navigate transitional retail spaces; from car to shop. Robinson’s installation will be located in front of the banner wall on the gravel area that separates the building facade from the parking lot. This work will consist of 3 sculptures (approx. 6ft tall), containing imagery culled from highway, road, and parking signage. In contrast to Hayden’s flat hanging mesh ground, Robinson’s work will consist of sculptural material meant to be viewed straight on, like the way we watch television, ready to consume all its messages. Erin Hayden and Jeff Robinson both explore the colloquial language of our urban context in their work.
The exhibition is curated by Mat Rappaport and Anne Hayden Stevens, curators of the Terrain Biennial in Evanston, at the invitation of Paula Danoff of the Evanston Art Center. In this installation, designed specifically for Side/Lot at EvanstonMade, the two artists exploit the liminal state of the parking lot. Robinson's sculptures point to the anxiety and heightened awareness we feel when in transition. Hayden's large banners explore the anticipation of acquisition: the excitement we feel when we walk into a place to make or buy something. As curators, we appreciate the way these two pieces enhance each other while having distinct visual language. The scale and visual vocabulary are harmonious with the outdoor site. The full installation is both whimsical and reflective, aesthetically powerful and gently humorous.
Please join us for the opening June 1, 6-9p and at the artists talk and performance on June 16, 3:30p